Jason Loftus and Kelly Elmer talk about a once in a lifetime shoot they shared in Colorado.
Read MoreWorkshop leader, guide, author, videographer, the list goes on. Stan describes his travel friendly set up, the importance and challenge of capturing quality audio and shares one of the most epic wildlife encounters we’ve had on the show.
Read MoreBig new gear announcements have dominated the headlines in the past month but listeners want to know what the little things are that make a big difference on location.
Read MoreAustralian born landscape photographer Will Patino has been an incredibly quick study. Not only has he mastered the art of capturing breathtaking naturescapes world wide, he parlayed his success into a curriculum to help you do the same.
Read MoreFull-time nature photographer Alyce Bender reveals her secret to better wildlife images and to traveling safely alone: be a better naturalist. Hear how observing animal behavior helps Alyce stay aware of her surroundings and anticipate a great action photo.
Read MoreThe guys discuss the positives and negatives of the mirrorless transition, planning for the fall and a listener question that will give you a leg up when trying “warm up a cold call” to secure permission to photograph on private land.
Read MoreFrom singe day trips to multi day land or water they cover it all. If you want to get away from the crowds and have the brown bear photo opportunities of a lifetime you’ll want to listen to this episode.
Read MoreContinuing our series focusing on pioneering individuals in the field of bears and bear viewing hosts Michael Mauro and Drew Hamilton sit down to share stories with retired Alaska Department of Fish and Game biologist Polly Hessing.
Read More“It doesn’t really matter what draws you to nature photography—whether it’s a hobby, or you want to run workshops, or you want to be a story producer—you can find a group of people within NANPA that have a wide array of knowledge, and they’re happy to share and happy to go into the field and nerd out together. For me, it turned something nebulus—how do you get involved in conservation photography—into something tangible.”
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